Lista de obras -

Back Cover: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. Int. Ed. 17/2017)

Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

scientific article published on 29 July 2020

Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography

IR Reflectography and Active Thermography on Artworks: The Added Value of the 1.5–3 µm Band

Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

artículo científico publicado en 2017

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

MA-XRF imaging on René Magritte’s La condition humaine: insights into the artist’s palette and technique and the discovery of a third quarter of La pose enchantée

Macro X-ray fluorescence (MA-XRF) scanning of illuminated manuscript fragments: potentialities and challenges

article by Paola Ricciardi et al published January 2016 in Microchemical Journal

Macroscopic Fourier transform infrared scanning in reflection mode (MA-rFTIR), a new tool for chemical imaging of cultural heritage artefacts in the mid-infrared range

artículo científico

Macroscopic mid-FTIR mapping and clustering-based automated data-reduction: An advanced diagnostic tool for in situ investigations of artworks

artículo científico publicado en 2019

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

scientific article published on 11 February 2020

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

artículo científico publicado en 2020

Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods.

artículo científico publicado en 2016

Non-invasive analysis of a 15th century illuminated manuscript fragment: point-based vs imaging spectroscopy

article by Stijn Legrand et al published May 2018 in Microchemical Journal

Rücktitelbild: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. 17/2017)

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

artículo científico publicado en 2018

Virtual Archaeology of Altered Paintings: Multiscale Chemical Imaging Tools

scholarly article by Koen Janssens published in February 2016

Lista de obras de

Back Cover: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. Int. Ed. 17/2017)

Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning

Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography

IR Reflectography and Active Thermography on Artworks: The Added Value of the 1.5–3 µm Band

Jan Davidsz. de Heem (1606–1684): a technical examination of fruit and flower still lifes combining MA-XRF scanning, cross-section analysis and technical historical sources

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment

MA-XRF imaging on René Magritte’s La condition humaine: insights into the artist’s palette and technique and the discovery of a third quarter of La pose enchantée

Macro X-ray fluorescence (MA-XRF) scanning of illuminated manuscript fragments: potentialities and challenges

Macroscopic Fourier transform infrared scanning in reflection mode (MA-rFTIR), a new tool for chemical imaging of cultural heritage artefacts in the mid-infrared range

Macroscopic mid-FTIR mapping and clustering-based automated data-reduction: An advanced diagnostic tool for in situ investigations of artworks

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods.

Non-invasive analysis of a 15th century illuminated manuscript fragment: point-based vs imaging spectroscopy

Rücktitelbild: Large-Area Elemental Imaging Reveals Van Eyck's Original Paint Layers on the Ghent Altarpiece (1432), Rescoping Its Conservation Treatment (Angew. Chem. 17/2017)

Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis

Virtual Archaeology of Altered Paintings: Multiscale Chemical Imaging Tools