Lista de obras - Costanza Miliani - Dominio Público Uruguay

A new photo-functional material constituted by a spirooxazine supported on a zirconium diphosphonate fluoride

scholarly article by Pier Luigi Gentili et al published 9 August 2002 in Journal of Materials Chemistry

A non-invasive NMR relaxometric characterization of the cyclododecane-solvent system inside porous substrates

artículo científico publicado en 2014

A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials

artículo científico

A non-invasive investigation of cyclododecane kinetics in porous matrices by near-infrared spectroscopy and NMR in-depth profilometry

A vibrational spectroscopic and principal component analysis of triarylmethane dyes by comparative laboratory and portable instrumentation

artículo científico publicado en 2013

Advances in Raman mapping of works of art

article published in 2010

An integrated analytical study of crayons from the original art materials collection of the MUNCH museum in Oslo

artículo científico publicado en 2021

Analysis of chromophores in stained-glass windows using Visible Hyperspectral Imaging in-situ

scientific article published on 09 July 2019

Assessment of a multi-technical non-invasive approach for the typology of inks, dyes and pigments in two 19th century's ancient manuscripts of Morocco

article by Abdelmajid El Bakkali et al published September 2014 in Vibrational Spectroscopy

Beyond the color: A structural insight to eosin-based lakes

article

Bleaching of red lake paints in encaustic mummy portraits

article

CO2 entrapment in natural ultramarine blue

Chromatographic and spectroscopic identification and recognition of ammoniacal cochineal dyes and pigments

artículo científico publicado en 2016

Chromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil medium

Complementary use of Optical Coherence Tomography (OCT) and Reflection FTIR spectroscopy for in-situ non-invasive monitoring of varnish removal from easel paintings

article

Complexation of apigenin and luteolin in weld lake: a DFT/TDDFT investigation

artículo científico

Congregation leaving the Reformed Church in Nuenen by Vincent van Gogh: a combined multi-instrumental approach to analyse the painting’s stratigraphy in support of varnish removal

artículo científico publicado en 2022

Correction: Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh

scholarly article published in Journal of Analytical Atomic Spectrometry

Correction: Synchrotron-based X-ray spectromicroscopy and electron paramagnetic resonance spectroscopy to investigate the redox properties of lead chromate pigments under the effect of visible light

scholarly article by Letizia Monico et al published 2015 in Journal of Analytical Atomic Spectrometry

DFT/TDDFT investigation on the UV-vis absorption and fluorescence properties of alizarin dye.

artículo científico publicado en 2015

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples

artículo científico publicado en 2011

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples

artículo científico publicado en 2011

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 3. Synthesis, characterization, and detection of different crystal forms of the chrome yellow pigment

artículo científico publicado en 2012

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 4. Artificial aging of model samples of co-precipitates of lead chromate and lead sulfate

artículo científico

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. Part 5. Effects of nonoriginal surface coatings into the nature and distribution of chromium and sulfur species in chrome yellow pa

artículo científico

Dependence of the photoemission of amorphous silicon nitride thin films on their composition

article

Disclosing the composition of historical commercial felt-tip pens used in art by integrated vibrational spectroscopy and pyrolysis-gas chromatography/mass spectrometry

article

Durability of the artificial calcium oxalate protective on two Florentine monuments

Evidence for Degradation of the Chrome Yellows in Van Gogh's Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron-Radiation-Based X-ray Techniques

artículo científico publicado en 2015

FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings.

artículo científico

Fiber-optic fourier transform mid-infrared reflectance spectroscopy: a suitable technique for in situ studies of mural paintings.

artículo científico

Fluorescence spectroscopy: a powerful technique for the noninvasive characterization of artwork

artículo científico

Frontispiece: Role of the Relative Humidity and the Cd/Zn Stoichiometry in the Photooxidation Process of Cadmium Yellows (CdS/Cd1−x Zn x S) in Oil Paintings

article published in 2018

Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh

article by Letizia Monico et al published 2015 in Journal of Analytical Atomic Spectrometry

In situ fluorimetry: a powerful non-invasive diagnostic technique for natural dyes used in artefacts Part I. Spectral characterization of orcein in solution, on silk and wool laboratory-standards and a fragment of Renaissance tapestry

artículo científico publicado en 2005

In situ non-invasive investigation on the painting techniques of early Meissen Stoneware

artículo científico

In situ noninvasive study of artworks: the MOLAB multitechnique approach

scientific article published on June 2010

In-situ fluorimetry: a powerful non-invasive diagnostic technique for natural dyes used in artefacts. Part II. Identification of orcein and indigo in Renaissance tapestries

artículo científico publicado en 2008

Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks

article

Laser cleaning of paintings: in situ optimization of operative parameters through non-invasive assessment by optical coherence tomography (OCT), reflection FT-IR spectroscopy and laser induced fluorescence spectroscopy (LIF)

artículo científico publicado en 2019

MOLAB®meets Persia: Non-invasive study of a sixteenth-century illuminated manuscript

article by Chiara Anselmi et al published August 2015 in Studies in Conservation

Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy

artículo científico publicado en 2013

Materials and Techniques of Twentieth Century Argentinean Murals

Micro transflection on a metallic stick: an innovative approach of reflection infrared spectroscopy for minimally invasive investigation of painting varnishes.

artículo científico publicado en 2017

Micro-Raman spectroscopic study of artificially aged natural and dyed wool

article published in 2008

Microanalytical identification of Pb-Sb-Sn yellow pigment in historical European paintings and its differentiation from lead tin and Naples yellows

article by David Hradil et al published September 2007 in Journal of Cultural Heritage

Mid-infrared hyperspectral imaging of painting materials

Modified Naples yellow in Renaissance majolica: study of Pb–Sb–Zn and Pb–Sb–Fe ternary pyroantimonates by X-ray absorption spectroscopy

artículo científico publicado en 2011

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

scientific article published on 11 February 2020

Molecular and structural characterization of some violet phosphate pigments for their non-invasive identification in modern paintings.

artículo científico

Monitoring of Pictorial Surfaces by mid‐FTIR Reflectance Spectroscopy: Evaluation of the Performance of Innovative Colloidal Cleaning Agents

Monitoring of optimized SERS active gel substrates for painting and paper substrates by unilateral NMR profilometry

article

Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy ⬇️

artículo científico publicado el 9 de octubre de 2010

Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience.

artículo científico

Non-invasive and micro-destructive investigation of the Domus Aurea wall painting decorations.

artículo científico

Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy

artículo científico

Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach.

artículo científico

Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy

artículo científico publicado en 2006

Non-invasive multi-technique investigation of artworks: A new tool for on-the-spot data documentation and analysis

Noninvasive analysis of paintings by mid-infrared hyperspectral imaging

artículo científico

Noninvasive nuclear magnetic resonance profiling of painting layers

Particle-modified consolidants: A study on the effect of particles on sol–gel properties and consolidation effectiveness

Photoluminescence properties of zinc oxide in paints: a study of the effect of self-absorption and passivation

artículo científico

Photophysical properties of alizarin and purpurin Al(III) complexes in solution and in solid state.

artículo científico

Probing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques

scientific article published on 15 May 2020

Raman study of different crystalline forms of PbCrO4and PbCr1−xSxO4solid solutions for the noninvasive identification of chrome yellows in paintings: a focus on works by Vincent van Gogh

Recent insights into the photochemistry of artists' pigments and dyes: towards better understanding and prevention of colour change in works of art.

artículo científico publicado en 2018

Revealing the Nature and Distribution of Metal Carboxylates in Jackson Pollock's Alchemy (1947) by Micro-Attenuated Total Reflection FT-IR Spectroscopic Imaging

artículo científico

Role of the Relative Humidity and the Cd/Zn Stoichiometry in the Photooxidation Process of Cadmium Yellows (CdS/Cd1−x Zn x S) in Oil Paintings

Scientific Investigation of an Important Corpus of Picasso Paintings in Antibes: New Insights into Technique, Condition, and Chronological Sequence

Single-sided NMR: a non-invasive diagnostic tool for monitoring swelling effects in paint films subjected to solvent cleaning

artículo científico publicado en 2019

Structural and electronic properties of the PbCrO4 chrome yellow pigment and of its light sensitive sulfate-substituted compounds

article by Anna Amat et al published 2016 in RSC Advances

Structural characterization of the glassy phase in majolica glazes by Raman spectroscopy: A comparison between Renaissance samples and replica processed at different temperatures

article by Camilla Ricci et al published May 2007 in Journal of Non-Crystalline Solids

Subtracted shifted Raman spectroscopy of organic dyes and lakes

article

Synchrotron radiation Ca K-edge 2D-XANES spectroscopy for studying the stratigraphic distribution of calcium-based consolidants applied in limestones

scientific article published on 31 August 2020

Synchrotron-based X-ray spectromicroscopy and electron paramagnetic resonance spectroscopy to investigate the redox properties of lead chromate pigments under the effect of visible light

scholarly article by Letizia Monico et al published 2015 in Journal of Analytical Atomic Spectrometry

The application of in situ mid-FTIR fibre-optic reflectance spectroscopy and GC-MS analysis to monitor and evaluate painting cleaning

artículo científico publicado en 2009

The combined use of lead–tin yellow type I and II on a canvas painting by Pietro Perugino

article by Ilaria Borgia et al published January 2007 in Journal of Cultural Heritage

The exceptional near-infrared luminescence properties of cuprorivaite (Egyptian blue).

artículo científico publicado en 2009

The use of synchrotron radiation for the characterization of artists' pigments and paintings

artículo científico

Tracing the biological origin of animal glues used in paintings through mitochondrial DNA analysis

artículo científico

Tyrian purple in archaeological textiles: DMF extraction and recrystallization for the Raman identification of precursors and derivatives

scholarly article by Brenda Doherty published in January 2017

UV–Vis-NIR and micro Raman spectroscopies for the non destructive identification of Cd 1−x Zn x S solid solutions in cadmium yellow pigments

article by Francesca Rosi et al published January 2016 in Microchemical Journal

UV–Vis-NIR and microRaman spectroscopies for investigating the composition of ternary CdS 1−x Se x solid solutions employed as artists' pigments

article

Unexpected chromogenic properties of 1,3,3-trimethylspiro(indoline-2,3′-[3H]naphtho [2,1-b][1,4]oxazine) in the solid phase: photochromism, piezochromism and acidichromism

Unilateral NMR, 13C CPMAS NMR spectroscopy and micro-analytical techniques for studying the materials and state of conservation of an ancient Egyptian wooden sarcophagus

artículo científico

Lista de obras de Costanza Miliani

A new photo-functional material constituted by a spirooxazine supported on a zirconium diphosphonate fluoride

A non-invasive NMR relaxometric characterization of the cyclododecane-solvent system inside porous substrates

A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials

A non-invasive investigation of cyclododecane kinetics in porous matrices by near-infrared spectroscopy and NMR in-depth profilometry

A vibrational spectroscopic and principal component analysis of triarylmethane dyes by comparative laboratory and portable instrumentation

Advances in Raman mapping of works of art

An integrated analytical study of crayons from the original art materials collection of the MUNCH museum in Oslo

Analysis of chromophores in stained-glass windows using Visible Hyperspectral Imaging in-situ

Assessment of a multi-technical non-invasive approach for the typology of inks, dyes and pigments in two 19th century's ancient manuscripts of Morocco

Beyond the color: A structural insight to eosin-based lakes

Bleaching of red lake paints in encaustic mummy portraits

CO2 entrapment in natural ultramarine blue

Chromatographic and spectroscopic identification and recognition of ammoniacal cochineal dyes and pigments

Chromium speciation methods and infrared spectroscopy for studying the chemical reactivity of lead chromate-based pigments in oil medium

Complementary use of Optical Coherence Tomography (OCT) and Reflection FTIR spectroscopy for in-situ non-invasive monitoring of varnish removal from easel paintings

Complexation of apigenin and luteolin in weld lake: a DFT/TDDFT investigation

Congregation leaving the Reformed Church in Nuenen by Vincent van Gogh: a combined multi-instrumental approach to analyse the painting’s stratigraphy in support of varnish removal

Correction: Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh

Correction: Synchrotron-based X-ray spectromicroscopy and electron paramagnetic resonance spectroscopy to investigate the redox properties of lead chromate pigments under the effect of visible light

DFT/TDDFT investigation on the UV-vis absorption and fluorescence properties of alizarin dye.

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples

Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 3. Synthesis, characterization, and detection of different crystal forms of the chrome yellow pigment

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. 4. Artificial aging of model samples of co-precipitates of lead chromate and lead sulfate

Degradation process of lead chromate in paintings by Vincent van Gogh studied by means of spectromicroscopic methods. Part 5. Effects of nonoriginal surface coatings into the nature and distribution of chromium and sulfur species in chrome yellow pa

Dependence of the photoemission of amorphous silicon nitride thin films on their composition

Disclosing the composition of historical commercial felt-tip pens used in art by integrated vibrational spectroscopy and pyrolysis-gas chromatography/mass spectrometry

Durability of the artificial calcium oxalate protective on two Florentine monuments

Evidence for Degradation of the Chrome Yellows in Van Gogh's Sunflowers: A Study Using Noninvasive In Situ Methods and Synchrotron-Radiation-Based X-ray Techniques

FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings.

Fiber-optic fourier transform mid-infrared reflectance spectroscopy: a suitable technique for in situ studies of mural paintings.

Fluorescence spectroscopy: a powerful technique for the noninvasive characterization of artwork

Frontispiece: Role of the Relative Humidity and the Cd/Zn Stoichiometry in the Photooxidation Process of Cadmium Yellows (CdS/Cd1−x Zn x S) in Oil Paintings

Full spectral XANES imaging using the Maia detector array as a new tool for the study of the alteration process of chrome yellow pigments in paintings by Vincent van Gogh

In situ fluorimetry: a powerful non-invasive diagnostic technique for natural dyes used in artefacts Part I. Spectral characterization of orcein in solution, on silk and wool laboratory-standards and a fragment of Renaissance tapestry

In situ non-invasive investigation on the painting techniques of early Meissen Stoneware

In situ noninvasive study of artworks: the MOLAB multitechnique approach

In-situ fluorimetry: a powerful non-invasive diagnostic technique for natural dyes used in artefacts. Part II. Identification of orcein and indigo in Renaissance tapestries

Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks

Laser cleaning of paintings: in situ optimization of operative parameters through non-invasive assessment by optical coherence tomography (OCT), reflection FT-IR spectroscopy and laser induced fluorescence spectroscopy (LIF)

MOLAB®meets Persia: Non-invasive study of a sixteenth-century illuminated manuscript

Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy

Materials and Techniques of Twentieth Century Argentinean Murals

Micro transflection on a metallic stick: an innovative approach of reflection infrared spectroscopy for minimally invasive investigation of painting varnishes.

Micro-Raman spectroscopic study of artificially aged natural and dyed wool

Microanalytical identification of Pb-Sb-Sn yellow pigment in historical European paintings and its differentiation from lead tin and Naples yellows

Mid-infrared hyperspectral imaging of painting materials

Modified Naples yellow in Renaissance majolica: study of Pb–Sb–Zn and Pb–Sb–Fe ternary pyroantimonates by X-ray absorption spectroscopy

Molecular Fluorescence Imaging Spectroscopy for Mapping Low Concentrations of Red Lake Pigments: Van Gogh's Painting The Olive Orchard

Molecular and structural characterization of some violet phosphate pigments for their non-invasive identification in modern paintings.

Monitoring of Pictorial Surfaces by mid‐FTIR Reflectance Spectroscopy: Evaluation of the Performance of Innovative Colloidal Cleaning Agents

Monitoring of optimized SERS active gel substrates for painting and paper substrates by unilateral NMR profilometry

Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy ⬇️

Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience.

Non-invasive and micro-destructive investigation of the Domus Aurea wall painting decorations.

Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy

Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach.

Non-invasive identification of surface materials on marble artifacts with fiber optic mid-FTIR reflectance spectroscopy

Non-invasive multi-technique investigation of artworks: A new tool for on-the-spot data documentation and analysis

Noninvasive analysis of paintings by mid-infrared hyperspectral imaging

Noninvasive nuclear magnetic resonance profiling of painting layers

Particle-modified consolidants: A study on the effect of particles on sol–gel properties and consolidation effectiveness

Photoluminescence properties of zinc oxide in paints: a study of the effect of self-absorption and passivation

Photophysical properties of alizarin and purpurin Al(III) complexes in solution and in solid state.

Probing the chemistry of CdS paints in The Scream by in situ noninvasive spectroscopies and synchrotron radiation x-ray techniques

Raman study of different crystalline forms of PbCrO4and PbCr1−xSxO4solid solutions for the noninvasive identification of chrome yellows in paintings: a focus on works by Vincent van Gogh

Recent insights into the photochemistry of artists' pigments and dyes: towards better understanding and prevention of colour change in works of art.

Revealing the Nature and Distribution of Metal Carboxylates in Jackson Pollock's Alchemy (1947) by Micro-Attenuated Total Reflection FT-IR Spectroscopic Imaging

Role of the Relative Humidity and the Cd/Zn Stoichiometry in the Photooxidation Process of Cadmium Yellows (CdS/Cd1−x Zn x S) in Oil Paintings

Scientific Investigation of an Important Corpus of Picasso Paintings in Antibes: New Insights into Technique, Condition, and Chronological Sequence

Single-sided NMR: a non-invasive diagnostic tool for monitoring swelling effects in paint films subjected to solvent cleaning

Structural and electronic properties of the PbCrO4 chrome yellow pigment and of its light sensitive sulfate-substituted compounds

Structural characterization of the glassy phase in majolica glazes by Raman spectroscopy: A comparison between Renaissance samples and replica processed at different temperatures

Subtracted shifted Raman spectroscopy of organic dyes and lakes

Synchrotron radiation Ca K-edge 2D-XANES spectroscopy for studying the stratigraphic distribution of calcium-based consolidants applied in limestones

Synchrotron-based X-ray spectromicroscopy and electron paramagnetic resonance spectroscopy to investigate the redox properties of lead chromate pigments under the effect of visible light

The application of in situ mid-FTIR fibre-optic reflectance spectroscopy and GC-MS analysis to monitor and evaluate painting cleaning

The combined use of lead–tin yellow type I and II on a canvas painting by Pietro Perugino

The exceptional near-infrared luminescence properties of cuprorivaite (Egyptian blue).