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A Lively Parrot: Frances Hodgkins's Wings Over Water

scholarly article published in Tate Papers (Spring 2006)

A chemiluminescence study of madder lakes on paper

article

A simple integrating dosimeter for ultraviolet light

Assessment of indoor air quality and the risk of damage to cultural heritage objects using MEMORI®dosimetry

article by Terje Grøntoft et al published March 2016 in Studies in Conservation

Book review

British Watercolour Cakes from the Eighteenth to the Early Twentieth Century

article

Characterisation of VOCs Surrounding Naum Gabo’s Construction in Space ‘Two Cones’, (Tate) by in situ SPME GC-MS Monitoring

Conservation Science 2007

Editorial

Editorial

Editorial

Editorial

Editorial

Editorial

Editorial

Editorial

Editorial

Evidence for varnishes used by British artists in the nineteenth century

article

G.F. Watts in context: his choice of materials and techniques

Girl in a Chemise c.1905 by Pablo Picasso

scholarly article published in Tate Papers (Autumn 2017)

Masterpiece of Deception: an art mystery

Nineteenth-century paint media: the formulation and properties of megilps

Nude Woman in a Red Armchair 1932 by Pablo Picasso

scholarly article published in Tate Papers (Autumn 2017)

Otaïti 1930 by Francis Picabia

scholarly article published in Tate Papers (Autumn 2017)

Photochemical colour change for traditional watercolour pigments in low oxygen levels

Portrait of a Doctor c.1935–1947, by Francis Picabia

scholarly article published in Tate Papers (Autumn 2017)

THE BENEFITS AND RISKS OF ANOXIC DISPLAY FOR COLORANTS

THE USE OF RIPOLIN BY PICABIA INTHE FIG LEAF(1922)

Tate’s Painting of a Man in Tudor Costume: A Sixteenth-Century Portrait or a Nineteenth-Century Pastiche?

scholarly article published in Tate Papers (Autumn 2013)

The Fig-Leaf 1922 by Francis Picabia

scholarly article published in Tate Papers (Autumn 2017)

The Handsome Pork-Butcher c.1924–6, c.1929–35 by Francis Picabia

scholarly article published in Tate Papers (Autumn 2017)

The Materials Used by British Oil Painters in the Nineteenth Century

scholarly article published in Tate Papers (Autumn 2004)

The Materials of J. M. W. Turner: Pigments

The Three Dancers 1925 by Pablo Picasso

scholarly article published in Tate Papers (Autumn 2017)

The Upper Room: A Study of Materials and Stability

scholarly article published in Tate Papers (Spring 2018)

The materials and techniques of J. M. W. Turner: primings and supports

The materials of J.M.W. Turner: pigments

The materials used by British oil painters throughout the nineteenth century

The significance of the refractive index of adhesives for glass repair